St. Michael the Archangel Parish- Mexico,Pampanga;
Showing posts with label SIMBAHAN. Show all posts
Showing posts with label SIMBAHAN. Show all posts
Friday, June 20, 2014
CHURCH OF OUR LADY OF GUADALUPE - MAKATI CITY
CHURCH OF OUR LADY OF GUADALUPE - MAKATI CITY
HISTORY
Guadalupe Church or the Church of Our Lady of Guadalupe is located along Guadalupe EDSA in Makati City. One of the oldest churches in the Philippines it was declared an Archidiocesan Shrine in 2002 and a National Shrine in 2010.
The church dates back to the 17th century. It was originally constructed as a rest house and hermitage for the Augustinians. Initially named Our Lady of Grace, the church was later named Our Lady of Guadalupe in 1803. Our Lady of Guadalupe is the patroness of pro-life, representing the unborn, the sick, the aging, and the disabled. She is also the patroness of the indigenous native peoples, of those who are aspiring for children, of the pregnant, the elderly, and even photographers.
The 1937 marker placed on the church by the Historical Research and Markers Committee states that the foundation of the church and the monastery were first laid in 1601 and was completed in 1629. The structure suffered earthquakes in the years of 1645, 1658, 1754 and 1863. In 1839, it served as a sanctuary for the Chinese during their upheaval. In 1880, the church's roof collapsed due to an earthquake and was rebuilt in 1882 under the supervision of Rev. Jose Corugedo, Order of Saint Augustine. It also became an orphan asylum and trade school for the children of the victims of the cholera epedemic that hit the Philippines in 1882. The church convent was the site of the historic Escuela de Artes y Oficios. In 1887, it the residence ofy governor-general Rafael Izquierdo. In 1898, it was burned by Filipino revolutionaries. It was repaired by the Augustinians in 1970.
Church facade
The facade of the church of Our Lady of Guadalupe is an neo-Romanesque-Gothic in style. Tits massive vertical buttresses are complemented by round windows, niches with statues, and the semicircular arch of the main entrance. Two Doric columns support the cornice and triangular pediment of the facade, which softened by the leaf carvings that embellish the main entrance and other openings. The architave is also decorated with strings arabesque designs.
National Shrine
On 31 May 2010, the Archdiocesan Shrine of Our Lady of Guadalupe was declared a national shrine by the Philippine Catholic church. The petition which was first submitted on 5 August 2005, was approved by the Catholic Bishop Conference of the Philippines.
St. Clement’s Church, Iloilo City
St. Clement’s Church, Iloilo City
St. Clement’s Church boasts its modern design as both appealing and simple. The church’s facade is adorned with white balusters lining the balcony outside. Another exterior feature is the four-storey high tower located at the right side of the building. On the outside, the garden surrounding the church usually serves as an extra space for mass-goers when the church is full.
The interior of St. Clement’s is also simple, yet elegant. It provides an atmosphere for meditation and prayer as there are few distractions in the design. I find the lines and curves of the altar seem to lead to the big image of Our Mother of Perpetual Help at the center of the altar. I feel like the patterns are designed to lead us to the great image.
Saint Clement’s is managed by the Redemptorists or the Congregation of the Most Holy Redeemer with their Mother House located at left side of the church. The church was completed on 1931. The first Perpetual Novena to Our Mother of Perpetual Help in the Philippines and Asia was celebrated at the church on May 13, 1946.
The Mother House of the Redemptorists at La Paz; also used as a retreat venue
Saint Clement’s Church is located at La Paz, Iloilo City.
Sta. Catalina Church- ARAYAT PAMPANGA CHURCH
ARAYAT PAMPANGA CHURCH
Sta. Catalina Church was built in honor of St Catherine of Alexandria. Fr. Jose Torres had the present church restored in 1858. This was continued during the term of Fr. Juan Tarrero and completed under the supervision of Fr. Urbano Beduya in 1892. Several renovations have been conducted since then. The church measures 70 meters long and 16 meters wide, 12 meters high and was done in three-level Renaissance style facade.
SAN GUILLERMO PARISH CHURCH - BACOLOR PAMPANGA
San Guillermo Parish Church - BACOLOR, PAMPANGA
San Guillermo Parish Church is named after San Guillermo, the patron saint of Bacolor, Pampanga, the Philippines, where the church is erected. The church was originally constructed by the Augustinian Friars in 1576 – also the town's founding – with Fr. Diego De Ochoa, OSA, as the town's first parish priest.having been installed as such two years after.
In 1880, the church was destroyed by an earthquake only to be rebuilt by Fr. Eugenio Alvarez in 1886. On September 3, 1995, lahar flow from the slopes of Mt. Pinatubo which erupted into world notice on June 15, 1991, buried the church at half its 12-m height prompting its more than 50,000 town residents to evacuate to safer grounds in resettlement areas
History
Bacolor is one of the oldest towns in the Philippines. ^The first church was constructed by the Augustinian friars in 1576 on the lot of Don Guillermo Manabat, a rich landlord believed to be the founder of Bacolor. An earthquake destroyed the edifice and a new church was erected by Fr. Manuel Diaz in 1897. It has a central nave and well-lighted transept with windows. The main retablo, side retablos and pulpit are gilded with golf leaf. The richness of the docoration of Bacolor church depicts advanced stage of baroque and rococo. In spite of the 1991 eruption of Mount Pinatubo which half-buried the church on October 1, 1995, the structure is still being used as place of worship. It was already a world renowned tourist destination prior to the lahar tragedies; now more tourists flock to the church which remaining features are being preserved and maintained
Description-
The church boasts of having main retablo, side retablos and pulpit that are heavily gilded with gold leaves. The rich decorations of the church depict the Baroque style of architecture. Only half of the original facade of the church can be seen today due to the eruption of Mount Pinatubo in 1991 which half-buried the church. After the volcanic eruption, the town’s people painstakingly excavated the altar and the retablo and relocated it under the dome in order for the tall wooden retablo to fit. The retablos niches are filled with centuries- old statues which were saved from destruction of the lahar. The citizens of Bacolor take pride in their rich heritage which is why they carefully excavated the ornately carved main and side altars and restored in its immaculate condition. The church is already a world famous tourist destination prior to the lahar tragedies and present has remained being so
Friday, May 23, 2014
NATIONAL SHRINE OF OUR LADY OF PEACE AND GOOD VOYAGE (ANTIPOLO CITY)
NATIONAL SHRINE OF OUR LADY OF PEACE AND GOOD VOYAGE (ANTIPOLO CITY)
The statue of Nuestra Senora de la Paz y Buen Viaje was brought from Mexico to Manila by Governor Juan Nino de Tavora in 1626 and at his death in 1632 was turned over to the Jesuits for the Church of Antipolo. Nuestra Senora de la Paz y Buen Viaje was proclaimed Patroness of the Galleons. The statue crossed the Pacific, and returned, eight times on board the galleons of Acapulco: in 1641, 1643, 1645-46 on the San Luis; 1648-1649 on the Encarnacion; in 1650 on the San Diego; in 1851-1853 on the San Javier; in 1859-1662 on the San Jose and in 1746-1748 on the Nuestra Senora del Pilar. The statue of Nuestra Senora de la Paz y Buen Viaje was canonically crowned on November 26, 1926, by the Most Rev. Michael J. O’Doherty, Archbishop of Manila, on the Luneta, Manila, in the presence of at least one hundred thousand people.
SANTIAGO APOSTOL PARISH CHURCH a.k.a Betis Church
Santiago Apostol Parish Church - PAMPANGA
The 1607 Santiago Apostol Parish Church, commonly known as Betis Church or Parish Church of St. James the Apostle is a Baroque (heritage) Church, located in Guagua, Pampanga (Betis Area). It is a Spanish-era church declared a National Cultural Treasure by the National Museum of the Philippines and the NCCA (under R.A. 4896 as amended by P.D. 374 and R.A. 8492), on November 5, 2001 (one of only 26 churches in the country bestowed that honor). It is part of the Ecclesiastical Provinces of the Archdiocese of San Fernando. In 2009, the National Museum installed a marker of its 2005 Proclamation.
The Church is named after "Apung Tiago" or Santiago Matamoros ("Saint James the Moor-slayer"). James, son of Zebedee, (Aramaic Yaʕqov, Greek Ιάκωβος, died 44 AD), was one of the Twelve Apostles of Jesus. He was a son of Zebedee and Salome, and brother of John the Apostle. He is also called James the Greater to distinguish him from James, son of Alphaeus, who is also known as James the Less).
The main attraction of the Church is the original ceiling mural done by the famous painter Simon Flores (1839-1904). Not to be missed are the original Simon Flores painting of the Holy Family, the artesian well (dug in the 1800s) in the patio - the first well in the country to be so situated, and the rare betis tree nearby, donated by Prof. Randy David, a sociologist and native of the town. A two-minute walk from the church is the restored David House, ancestral home of Randy David, which they christened Bale Pinauid or Bahay Pawid.
The Philippine National Commission for Culture and the Arts (NCCA) has designated the conservation and protection of more than 30 other Spanish-era churches to be of utmost importance. These were registered as National Cultural Treasures. These churches were given priority status not just due to their historical value, but also based on the geographic representation of various regions across the nation, and include Santiago Apostol Parish Church in Betis, Guagua, Pampanga.
As one of the Baroque Churches of the Philippines, the Santiago Apostol Parish Church Parish Church has been at the forefront of Philippine history since their construction in the 1500s. During the time of Spanish colonial rule, the Church and State worked hand in glove. They had served the Catholic church in the archipelago and as the political backbone of Spanish colonial rule.
The unique design of the churches reflects the integration of Spanish and Latin American architecture to indigenous architecture of the Philippines, including a fusion with Chinese style. The Church's political power of that period manifests in the architecture. They had been designed to withstand attacks during revolts and rebellions, giving the Churches the appearance of fortresses. The blending of religion and military portrays the manner Spain saw its situation in the Philippines. The Church of La Nuestra Señora de la Asuncion, located on top of a hill, served as a citadel during times of crisis, providing the best example of the blend of purposes in the architecture. Church of Santo Tomas de Villanueva withstood the occasional attacks from Muslims coming from the south.
The Philippines resides within the Pacific Ring of Fire, calling for structures that could withstand the tremendous earthquakes that rock the region. Powerful buttresses and foundations gave the churches the support they needed to survive earthquakes intact. Although occasionally damaged seriously, the Church restored them each time. The Church of San Agustin has the most imposing of those buttresses, while the Church of San Agustin, Manila, the only structure in Intramuros (the southern district of Manila) to survive World War II, demonstrates the best example of the strength of that architecture. The unique architectural style became known as Earthquake Baroque.
Aside from the 4 churches designated as a World Heritage Site, the Philippine National Commission for Culture and the Arts (NCCA) has also designated 26 Spanish-era churches for conservation and protection. They have been registered as National Cultural Treasures. They have been given priority status for their historical value as well as serving as the geographic representatives of regions throughout the nation and include the Santiago Apostol Parish Church Parish Church
HIstory of the Betis Church
The baroque-inspired Betis Church was built around 1660 and it was headed by Father Jose de la Cruz. The preliminary structure was made out of light materials which was composed mainly of wood and stucco. Fire broke out within the church several times due to these light materials so it was finally built with concrete materials in 1770.
In the last quarter of 19th century, Father Manuel Camañes dug an artesian well on the north-side of the church which served as a source of potable water not only for the Betis townsfolk, but to the other nearby towns as well. On the other hand, the present-day concrete fence with caryatids was built in the 2nd quarter of the 20th century.
In 1908, the rectory of the church was burned with fire and all the documents about baptism and other historical catalogues of the church turned into ashes.
Beautification of the interior part of the church was extensively done by the last Spanish priest named Father Santiago Blanco in 1939. The ceiling paintings were repainted by a native of San Agustin named Macario Ligon. His assistant named Victor Ramos, who was in his teen years then was also the one who restored these paintings in the 1970s.
During the Spanish-Colonial period, Betis is an independent town which has its own autonomy as a municipality. But due to migration of its inhabitants to the nearby Guagua in the American Period, it was merged to this town in 1904 under the Act 943.
Today, although part of the municipality of Guagua, the Betis church has its own parochial priest and has its patron saint named St. James the Grea
Wednesday, April 9, 2014
PARISH CHURCH OF NUESTRA SENORA DE LA PORTERIA - DARAGA, ALBAY
PARISH CHURCH OF NUESTRA SENORA DE LA PORTERIA - DARAGA, ALBAY
As mythical as the tale that the Daraga church was built by young maidens or Daraga is the common belief that it was built after and on account of the eruption of Mayon Volcano that buried the town of Cagsawa in 1814. The historical truth is that it began to be built more than 40 years earlier, in 1773 to be exact.
Historical records show that way back in 1772 some people from Cagsawa asked permission from the National Government to transfer their town and church to a nearly settlement known as Daraga, then a sitio of the town of Albay.
The request was granted by the Spanish Governor General, Don Simon de Anda y Salazar in a letter dated June 12, 1772, wherein he instructed the Alcade Mayor of the Province of Camarines to supervise the transfer of the town of Cagsawa to the place of Daraga so that the town be formed with streets near the church that is to serve as the center for the benefit of the natives.
The order must have been implemented right away. There is no better proof that the official seal of the municipality of Daraga that bears 1772 as the year engraved on it.
The church was still under construction and on its way to completion in 1777, as can be gathered from a letter written by the Franciscan Provincial to the Governor General, asking that it be finished and the latters letter of instruction to the Alcalde Mayor to find our whether the construction of the church is finished and in case it is not, to promote its completion with the greatest vigor. Whether it was completed before the fateful eruption of 1814 has not yet been ascertained.
The next thing we here about Daraga church is that it was finally consecrated in 1854, the year Pope Pius 1X declared the dogma of the Immaculate Conception of the Blessed Virgin Mary.
The American forces bombed the church during the World War II. The roof was completely blown up and the right wing and wall partially destroyed. Right after the war, it was hurriedly reconstructed. Then, it deteriorated very fast. In 1971 it underwent another complete reconstruction and remodeling of the interior especially the altar to make it conform to the norms of the celebration of the Liturgy as renewed by Council Vatican 11. The reconstruction was happily finished before the bicentennial celebration on December 8, 1973.
Eighteen years later in 1991, to be faithful to its structural design, the altar was returned to its original position.
Belfry Daraga Church
Saturday, November 9, 2013
SAN JOSE CHURCH
San Jose Church (Iloilo City)
The first church in Iloilo was built by the Jesuits around 1607 to serve the needs of the military stationed in Punta, as Iloilo was then called. However, on 29 April 1617, the Augustinians established San José, a house of the order. They held San José until 1775 when administration was given to the secular clergy. In 1868, Iloilo along with La Paz (Loboc) was given to the Augustinians in exchange for Jaro which had become the seat of the newly founded diocese. Fr. Mauricio Blanco was named prior in 1873 and he started enlarging and repairing an older church built of light material. Later he decided to build a new church of stone and brick, after the Miguelete church of Valencia del Cid (Spain). However, he was unable to fulfill his plans, and stopped when he had completed two stories. He finished the church, added two towers one with a clock and barometer and built a convent. The towers were begun on 14 November 1893. The church was repaired in 1902 under Fr. Manuel Diez, restored in 1945 under architect and engineer Mariano Cacho following plans by Fr. David Caseres. The altars were gilded by Fr. Jesús Fernandez. During World War II, the church was saved from being bombed by the Americans after they received information that Japanese were not holed in the church as they were previously informed. Between 1980-82 the church was renovated, a new marble floor was laid, under the direction of poet-writer, Fr. Gilbert Centina. San José is one of the few parish in the Philippines still under the Augustinians.
http://heritageconservation.wordpress.com/2006/07/27/san-jose-church-iloilo-city/
Friday, July 19, 2013
STA MONICA PARISH - PANAY, CAPIZ
The Sta. Monica Parish - Panay, Capiz
HISTORY
The Parish of Panay was established by the Spanish missioneries in 1581, which had six(6) visitas. The Christian Faith in the island of Panay, Philippines was the first to evangelize the Sta. Monica Parish Church which now stands as a Historical Landmark. In 1566, Padre Martin de Rada, the augustinian missionery, proclaim the Gospel in the island at the riverbank of Bamban, which now known as the town of Panay, Capiz. The original structure of the church was built during the term of Fr. Manuel Lopez, between 1692 and 1698, and was rebuilt by Fr. Manuel Murguia in 1774. After the destructive typhoon of 1875, the famous Augustinian builder, Fr. Jose Beloso renovated the stone church in 1884. Fr. Lesmes Perez, restored it in its beautiful grandeur in 1895 from the aftermath of the typhoons of 1874 and 1875. Don Juan Reina Cast the Largest bell in Asia and 3rd biggest in the world. The "Dakong Lingganay"(meaning "Big Bell"), it was made from seventy(70) Sack of coins donated by the townpeople and measures seven(7) feet in diameter, five(5) feet in height with a weight of 10.400 kilograms. It carries a meaningful inscription which mean "Soy la vos de Dios que llevarey ensalzare desde el principio hasta fin de este Pueblo de Panay para que los fieles de Jesus vengan a esta casa de Dios a recibir las gracias celestiales" (meaning " I am God's voice which shall echo and praise from one end to the other of the town of Panay, so that the faithful followers of Christ may come to this house of God to receive the heavently graces."). Fr. Francisco alba was the first Filipino priest who served as the Parochial Vicar of the Parish of Sta. Monica. The National Historical Institute in its Resolution No. 3, series of 1997, declared the Sta. Monica Parish Church as a Historical Landmark.
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